![]() He doesn’t like it and he doesn’t like the way the madam of the shack makes excuses for it. Marty sniffs out that the girl they’re interviewing at the rustic cathouse is underage. There’s always a bunny ranch in the woods. Marty can smell that the sheriff is getting kickbacks from the local bunny ranch in the woods. Marty’s nose might have gotten bent out of shape on account of Rust’s nose, but that nose can catch a whiff of weakness in seconds, no matter what’s gone up it. He still doesn’t know what it was, some kid’s art class project for school or something, but it talks to him. He converses with friends of the victim and with the “Devil’s Trap” he found on the crime scene. The detectives are trying to figure out Cohle’s process. Maynard Gilbough (Michael Potts) and Detective Shinn (Eric Price) about the old case and they were nice enough to bring him a six pack of Lone Star. Usually, he knows enough to drink alone, but he’s being interviewed by Det. He works four nights a week and the rest of the time he drinks. Now that he’s off the force, he lives out in the country behind a bar. While he was on the force he was too critical of the people in his circle. Rust Cohle knows who he is and there’s a kind of victory in that. Harte probably saw enough of that from his own father, who came from a time when men didn’t air their bullshit in public. ![]() Cohle answers “maybe.” The things he chooses to say or not say is more than alien to Martin, he sees a kind of passive aggression that’s probably there. In a rare moment of conversation in the partners’ car, Martin Hart, whose mother was the Donna Reed type, making lunches and telling stories, asks his partner if his parents are alive. Rust Cohle is maddening in his introversion. ![]()
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